Marrakech.

In Paris’s editorial world, Marrakech becomes an exercise in looking closely. An arch is also a frame. A courtyard is a study in shadow. A tile surface changes when it is seen from across a room rather than through a lens. The city gives this edit its rhythm: colour, detail, then a moment of stillness.

Photography is the point of entry, not the only destination. The story moves from museum collections to a hammam, from the materials of the medina to the scale of the Atlas, and finally to the table. A strong picture can begin a conversation about a place; it should leave room for the people and craft behind it.